By David GosselinThese are two of the finest examples of German Lieder I’ve encountered. Perhaps no art form has succeeded in uniting poetry and music more effectively than the 19th century tradition of German classical art songs. A careful study of this form of creative expression and dialogue between the greatest poets and musical composers offers a window into one of the most recent Golden Ages of music and poetry. Below are two original translations to follow along with and discover the Rosetta Stone of verse and song—classical German Lieder. From “The Gods of Greece” by Friedrich SchillerOh beautiful world, where art thou flown? Translation © David B. Gosselin Original Schöne Welt, wo bist du? Kehre wieder, —————————- “Der Tod, das ist die kühle Nacht” by Heinrich HeineDeath is the cooling night, Translation © David B. Gosselin Original Der Tod, das ist die kühle Nacht, Über mein Bett erhebt sich ein Baum, —————————- David Gosselin is a poet, researcher, and translator in Montreal, Canada. He is the founding editor of The Chained Muse. His personal Substack is Age of Muses, where he publishes historical deep-dives, original poetry and a variety of writings for a new renaissance. His new book A Renaissance or New Middle Ages: Magic, Mystery, and the Trance Formation of the West can be purchased hereYou're currently a free subscriber to Rising Tide Foundation. For the full experience, upgrade your subscription.
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Dating, Relationships & Stories
Thursday, April 16, 2026
Comets Colliding: Schubert & Brahms Set Schiller and Heine
Tuesday, April 14, 2026
New Film: Reclaiming the Mysteries 2.0- Mystery Babylon
We are excited to announce a new Rising Tide Foundation/Age of Muses film, written, narrated and directed by our friend David Gosselin titled ‘Reclaiming the Mysteries 2.0: Mystery Babylon.’ This short 35 minute film elegantly introduces the rise of the mysteries in ancient Greece, and their slow perversion across the millennia. What did Solon, Moses and Plato do which has earned the animosity and hate of the ruling oligarchy to this day? How did Persia become the ‘Marcher Lord’ of Babylon? How did Alexander the Great fail to defeat the high priests of Marduk and what healthier tradition of the mysteries has been obscured over the eons which Friedrich Schiller sought to revive 200 years ago? These questions and much more are addressed in Reclaiming the Mysteries 2.0: Mystery Babylon Follow David Gosselin’s Age of Muses Substack here: You can watch Part I below:You can watch more RTF and CP films here.You can also check out Cynthia Chung’s series Towards A New Jerusalem here:Towards a New Jerusalem: A Gathering of Jacobites, Scottish Rite-Rosicrucian Freemasons, Moravians, Sabbatian Jews and the Father of TheosophyIn 1790 the world renown English poet and artist William Blake, who was a member of the Swedenborg Society and whose parents were members of the Moravian Church, produced a provocative but puzzling work entitled The Marriage of Heaven and Hell. Written as a radical rebuttal to the conservative faction of Swedenborgians in London (who were rejecting the increasing sexual promiscuity of the group), Blake’s response echoed that of the antinomianists and the Sabbatian followers of Jacob Frank: Subscribe to Rising Tide Foundation to unlock the rest.Become a paying subscriber of Rising Tide Foundation to get access to this post and other subscriber-only content. A subscription gets you:
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Comets Colliding: Schubert & Brahms Set Schiller and Heine
By David Gosselin ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ...
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Greetings everyone ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ...
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Rising Tide Foundation cross-posted a post from Through A Glass Darkly Rising Tide Foundation Apr 29 · Rising Tide Foundation . Come See Ma...



